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By Roger Q. Mason
Directed and Choreographed by Adin Walker
Featuring: Stanley Mathabane, Aurea Tomeski, C Bain, Atticus Cain, and Ian Smith
Scenic Design by Riw Rakkulchon
Lighting Design by Victoria Bain
Costume Design by Sarafina Bush
Sound Design by Caroline Eng
Stage Managed by Alison Fortune
Produced by Aaron Hock and Cristin V Gordon
Photos by Emilia Aghamirzai of https://www.fatchixfilms.com
PRESS:
“When I was looking over the program before the show, I noticed that Adin Walker served as both director and choreographer...Little did I know that Mr. Walker would turn out to be the blindingly bright star of the show. Mr. Walker HAD to wear both hats, because in this play choreography and direction were one and the same. The play fell somewhere between dance and drama. The actors were usually dancing, right or left, always with smooth, undulating movements, when they weren’t part of a scene. The set employed eight white boxes of various sizes with white leather upholstery, which had to be moved, shifted, stacked, configured by the actors in EXACTLY the right way, so that when props were needed, the correct box containing that prop was available to the actor. The set was constantly changing and flowing and swirling. Not only did the actors have to deliver their lines correctly, but every movement of the actors, every gesture, had to be carefully choreographed and strictly controlled. This play was 100 minutes long. There must have been thousands of details to be worked out and rehearsed. Kudos to the stage manager, but Mr. Walker deserves an award.” (William J. Cataldi, read full review here)
“Before the play begins there is an extended dance scene introducing many of the characters and there are several other lively dance sequences throughout. These are the superior handiwork of director and choreographer Adin Walker. Employing expressive movement, rich tableaus and melding the vigorous technical elements, Mr. Walker has surmounted the difficulties of this complex material and brings it for the stage as successfully as possible. In addition, the cast Walker has assembled strongly embodies each role.” (Darryl Reilly, read full review here)
By Roger Q. Mason
Directed and Choreographed by Adin Walker
Featuring: Stanley Mathabane, Aurea Tomeski, C Bain, Atticus Cain, and Ian Smith
Scenic Design by Riw Rakkulchon
Lighting Design by Victoria Bain
Costume Design by Sarafina Bush
Sound Design by Caroline Eng
Stage Managed by Alison Fortune
Produced by Aaron Hock and Cristin V Gordon
Photos by Emilia Aghamirzai of https://www.fatchixfilms.com
PRESS:
“When I was looking over the program before the show, I noticed that Adin Walker served as both director and choreographer...Little did I know that Mr. Walker would turn out to be the blindingly bright star of the show. Mr. Walker HAD to wear both hats, because in this play choreography and direction were one and the same. The play fell somewhere between dance and drama. The actors were usually dancing, right or left, always with smooth, undulating movements, when they weren’t part of a scene. The set employed eight white boxes of various sizes with white leather upholstery, which had to be moved, shifted, stacked, configured by the actors in EXACTLY the right way, so that when props were needed, the correct box containing that prop was available to the actor. The set was constantly changing and flowing and swirling. Not only did the actors have to deliver their lines correctly, but every movement of the actors, every gesture, had to be carefully choreographed and strictly controlled. This play was 100 minutes long. There must have been thousands of details to be worked out and rehearsed. Kudos to the stage manager, but Mr. Walker deserves an award.” (William J. Cataldi, read full review here)
“Before the play begins there is an extended dance scene introducing many of the characters and there are several other lively dance sequences throughout. These are the superior handiwork of director and choreographer Adin Walker. Employing expressive movement, rich tableaus and melding the vigorous technical elements, Mr. Walker has surmounted the difficulties of this complex material and brings it for the stage as successfully as possible. In addition, the cast Walker has assembled strongly embodies each role.” (Darryl Reilly, read full review here)
The White Dress - Audience Reviews (2019)
590 Tahoe Keys Blvd, South Lake Tahoe, CA 96150